MasterPlan - Click here to enlarge
 

. The olive tree is a real character, alive, with history, as important as a person. It’s part of the essence of the site.
 
. The zoo is a landscape of olive trees. A treeology.
. The zoo is a theatre of trees, animals and stones. The visitors are the public.
. It’s a relation between tree, animal and you, a network not a hierarchy.
. We use water to divide spaces and as a line of information.

. We explain the collection through rivers; the concept is Syria as the convergence point between three continents:
Africa, Asia and Europe. The three rivers are Euphrates, Nile and Danube.
. Water goes down following the topography and ends up in the humid zone for the aviary (that needs water) Nile in the Mediterranean Sea, Euphrates in the Arabian Gulf and Danube in the black sea.
. Then the water goes up again, because the water system is a closed circuit, very efficient in terms of waste and re-use.

. There are two types of water: decorative and for animals that look continuous as a natural setting but are separated because they have very different technical treatment.
. Masterplan organization logics: the zoo is organized through a grid system that uses the axis of the topography as fixed levels and the rivers as flexible levels.

 

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Animation Projected on Model
 
 
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. Water is the flexible element that adapts to the necessities of both program and topography.
. Water is used literally and conceptually both as circulation and as information: Rivers of people, water and poems.
. The terraces are every 100 meters based on the distance of blurred visibility: vanishing distance.
. We use visibility and reflection to make a magic landscape through the use of mirrors.

. Mirrors will hide the people and the visitors will only see landscape and animals like real nature.

. The aim is to provoke an emotion of an endless landscape, instead of a fragmented one, common to traditional zoos.
. People will not say”there was a mirror” but “I had an emotion”. The zoos nowadays don’t compete for collection but for experiences.
. The experience of animal as individual, you can go to see the African savannah or the African lion. And the experience of animal in a natural
. 7 modules organize the habitats in 2 main groups: dry and humid.
. There are 2 types of zoos: urban zoo where you see the collection and safari zoo where you see the animals.
The zoo of Damascus is a safari zoo.

. Instead of walls we use adapted systems to fence the animal.
. 3 features of zoo: mountain, aviary, water tower.
. Materialization: the zoo is a sculpture where you walk through. The visitor circulation network is black and the areas for the animals are white/grey. This colour code is inspired in traditional damascene architecture where there is a combination of black basalt and white limestone.
. We use mud as building material inspired by the traditional Syrian beehive houses for the animal dormitories.
. Machine: buildings, circulation, areas, entrances in relation to the urban context.
. Bonus paper: biggest aviary of the world 25000m2, biggest mountain (compared to the zoo of Paris) and the best lion collection

 
Aviary Roof Plan

 

 

 
 
Aviary Plan
 
 
 
Aviary Section
 
 
Aviary Elevation
 
Mountain Elevation and Plan
 
Aviary Interior
 
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The Zoo of Damasco Team . From left to right :
Edouard Cabay, Gerard Veciana, Samer Yamani, Motaz Morad, Enric Ruiz-Geli, Rana Dulbanah, Mohsen Maksoud, Saosan Salmoni, Aref Maksoud, Ibrahim Shalhoub, Max Zinnecker, Beatriz Mínguez de Molina, Laia Jutglà, André Macedo.
 
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Emotion of an endless landscape
 
credits
Asia
Asia
Asia
Asia
Asia
Asia