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| MasterPlan - Click here to enlarge | |
. The olive tree is a real character, alive, with history, as important as a person. It’s part of the essence of the site. . We explain the collection through rivers; the concept is Syria as the convergence point between three continents: . There are two types of water: decorative and for animals that look continuous as a natural setting but are separated because they have very different technical treatment. |
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| Animation Projected on Model | |
| Click to play Treemaping | Click to play Treemaping |
| Click to play Treemaping | |
. Water is the flexible element that adapts to the necessities of both program and topography. . Mirrors will hide the people and the visitors will only see landscape and animals like real nature. . The aim is to provoke an emotion of an endless landscape, instead of a fragmented one, common to traditional zoos. . Instead of walls we use adapted systems to fence the animal. |
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| Aviary Roof Plan | |
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| Aviary Plan | |
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| Aviary Section | |
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| Aviary Elevation | |
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| Mountain Elevation and Plan | |
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| Aviary Interior | |
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| The Zoo of Damasco Team . From left to right : Edouard Cabay, Gerard Veciana, Samer Yamani, Motaz Morad, Enric Ruiz-Geli, Rana Dulbanah, Mohsen Maksoud, Saosan Salmoni, Aref Maksoud, Ibrahim Shalhoub, Max Zinnecker, Beatriz Mínguez de Molina, Laia Jutglà, André Macedo. |
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| Emotion of an endless landscape | |
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